Game of Thrones TV show review

Having only recently started on the Song of Ice and Fire, by George RR Martin, I don’t have a lot of the history that a lot of other fans do with the series. But, having read the book, I’m not going into the series blind. The HBO name on the series usually carries the sign of quality (John from Cincinnati notwithstanding), and the fact that they are the ones producing the show (rather than AMC or Showtime) means that there is a sense of quality and a decent budget. So, let’s see if winter is coming.

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Chaos TV show

Have you been watching Chaos? It’s an interesting failure on CBS that is still possibly worth watching and it’s on tonight, the graveyard known as Friday night TV. One of the problems I have when watching TV is that I often fall for what a show can be and get upset when it never quite arrives there. There are more shows than I can count where I started watching because of a cool concept or a great setup and a couple months down the road, I start wondering why I’m still watching it. My fear is that Chaos is going to turn into one of those shows. So, what is it? Never mind…

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Camelot after 3 episodes

And I’m done. I reviewed the pilot of Camelot on Starz when it previewed at the end of February. As I noted at the time, the only good parts of the pilot were Merlin, Lot and Morgan. For those of you who watching, you know what has happened to those characters. I’ll go into it a little bit and explain why I’ve decided to stop watching after the break. Warning for those who haven’t seen it. There will be spoilers.

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Funny Papers by Tom De Haven

Since I previously reviewed the middle book (Derby Dugan’s Depression Funnies (my review)), I decided that I should review the first book, Funny Papers. Where Derby Dugan’s Depression Funnies showed the high point of newspaper comic strips during the 1930s, this book shows their beginning during the 1890s. We get to see the introduction of photographs and the start of comic strips as a differentiator among the newspapers. We brush past Hearst and Pulitzer and we see the beginning of a phenomenon. So, let’s head back to the roaring ’90s and the newspaper wars to see the beginning of the wars in the Funny Papers.

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The Citadel of the Autarch by Gene Wolfe

The Citadel of the Autarch, the last of Gene Wolfe’s Book of the New Sun, end with a whimper, not a bang. After the travels of Severian in the first three books, I expected that the finale would wrap up his story and tie things together. But there were many loose ends not resolved and much that was left unexplained. Overall, I enjoyed the series, but it was a little frustrating. I tend to blame myself, as it’s not exactly the type of book I enjoy.

I apologize for not being able to do a full review, but I’m not sure I could do a good enough job explaining the book. My main problem with the book is that Severian is the hero and main character, but everything seems to happen to him without action on his part. A large part of the series involves Severian wandering around and something happens to him. When Severian gives Thecla the knife early in the first book, it is an action taken by Severian when he knows the consequences and makes a decision. It is also one of the last times in the series where he does this. Most everything else Severian does is either following what someone else is doing or following the Guild rules. It is a frustrating experience to watch the protagonist wander around and rarely initiate the action.

Life Sucks by Jessica Abel, Gabriel Soria and Warren Pleece

I saw the graphic novel Life Sucks in the library and it intrigued me. Jessica Abel had good reviews on her earlier works Artbabe and La Perdida, so, even though I hadn’t heard of her co-writer Gabriel Soria, I decided to give it a try. Boy was I wrong. The high concept of the book is: What if we did Clerks, but with vampires? It’s a mediocre (at best) book with decent art, but the story itself is not even worth reviewing. Avoid if possible.

GRRM Interview in the NY Times

Go and read this GRRM interview with the NY Times:

When I returned to prose, which had been my first love, in the 90s, I said I’m going to do something that is just as big as I want to do. I can have all the special effects I want. I can have a cast of characters that numbers in the hundreds. I can have giant battle scenes. Everything you can’t do in television and film, of course you can do in prose because you’re everything there. You’re the director, you’re the special effects coordinator, you’re the costume department, and you don’t have to worry about a budget.